Damien Hirst is dealing with growing stress from his neighbours within the Cotswolds to renovate his £3 million nation pile.

The Turner Prize-winning artist, who shot to fame within the early 90s after his pickled shark piece was exhibited on the Saatchi gallery, purchased 124-acre Toddington Manor again in 2005, however has but to completely restore the property. 

The artist, now 56, pledged to renovate it and switch it right into a household dwelling and house for his private artwork assortment.

Nonetheless, 17 years later, Hirst, who is claimed to be value round £282 million, has made little progress and the property continues to be surrounded by scaffolding and plastic sheeting. 

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Artist Damen Hirst, who is said to be worth around £282 million, is under increasing pressure from neighbours to get building work complete on Toodington Manor in the Cotswolds

Artist Damen Hirst, who is claimed to be value round £282 million, is below growing stress from neighbours to get constructing work full on Toodington Manor within the Cotswolds

The manor, which Hirst bought in 2005 for £3 million, sits in 124-acres of land in Toddington, Gloucestershire - but locals aren't happy at the lack of progress

The manor, which Hirst purchased in 2005 for £3 million, sits in 124-acres of land in Toddington, Gloucestershire – however locals aren’t comfortable on the lack of progress

MailOnline has contacted Damien Hirst for remark. 

His livid neighbours can be holding a parish council assembly this week in a bid to see whether or not they can pressure him to maneuver forward with the promised restoration work. 

Toddington parish council’s chairman, Nigel Parker, advised the Guardian: ‘We wish to see what could be executed, if something in any respect.

‘It is among the greatest eyesores within the space. Individuals are fed up with it.

‘Damien Hirst has had this property for 17 years now, however it’s nonetheless clad in scaffolding and tarpaulin, and so far as we will inform there isn’t any restoration in sight.’  

Councillor John Evetts, chair of Tewkesbury council’s planning committee, added: ‘I work in restoration and conservation and I feel it might value £50m to revive and nonetheless not be completed…It seems he has simply deserted it or acquired uninterested in it.’ 

The 124-acre manor was designed and constructed by Charles Hanbury-Tracy, for himself, in 1840. By 1894, he was pressured to promote it by poverty.

It was purchased within the early seventies by retired businessman David Wickens who ran it as a £5,000-a-year college for international college students.   

After the varsity closed, the constructing stood empty for 20 years, falling into disrepair.

In 2004, there have been plans to show the manor right into a resort, however native residents waged a marketing campaign to forestall this, and the property was bought to Hirst and his then-partner, Californian designer Maia Norman, a yr later.  

Hirst shot to fame in the early 90s, after his pickled shark was exhibited at the Saatchi gallery, bringing him notoriety in the art world, which subsequently made him very wealthy

Hirst shot to fame within the early 90s, after his pickled shark was exhibited on the Saatchi gallery, bringing him notoriety within the artwork world, which subsequently made him very rich

One of Hirst's most famous pieces - this diamond-encrusted skull - was reportedly sold for around £50 million

Certainly one of Hirst’s most well-known items – this diamond-encrusted cranium – was reportedly bought for round £50 million

Nonetheless, when the couple, who share three sons, break up in 2012, work on the property reportedly began stalling. 

Since then, neighbours have spoken out in regards to the manor, which they’ve branded an ‘eyesore’ and a ‘blight on the countryside’. 

As well as, Toddington Manor has been deemed ‘in danger’ by Historic England, which says it desires to ‘encourage the proprietor’ to proceed restoration works.  

Talking in regards to the constructing in 2018, a spokesman for Hirst’s firm, Science Ltd, mentioned: ‘Damien has at all times recognised that the restoration could be a ‘lifetime’s work’ and attributable to numerous different tasks – together with the opening of Newport Road Gallery in London and his Treasures present in Venice – work at Toddington has been on maintain.’