These gritty, black-and white photographs depict a period of violence and soaring crime, budget problems, cuts and several calamities New York City experienced: fiscal, an arising HIV/AIDS crisis and the invading crack cocaine gangs.

Jill Freedman, a photographer from 1939-1999, was on hand to document the beauty and tragedy of New York City in the 1970s and 1980s. Freedman enjoyed unprecedented access at NYPD’s Midtown South of Times Square & Penn Station as well as the Ninth Precinct of the East Village. Freedman documented the camaraderie and interactions among officers and was there to make arrests. 

Freedman stated once that he set out “to deglamorize violent crime.” 

These images still resonate today. Crime spiked during the Pandemic and the subsequent Shutdown. Crime rates continue to rise, according to NYPD’s latest numbers for October: overall crime rose 11.2 percent, robbery increased by 15.8 percent and felony assault jumped by 13.8 percent. While there’s been an increase in murders, the number of homicides is still much higher than it was in 2018 or 2019. 

Eric Adams, the new mayor, is a former police officer. He said that he will once again have plainclothes officers on the streets. These are anti-crime units which were disbanded last year after the defunding of police protests following the death of George Floyd. Hawk Newsome, a co-founder of Black Lives Matter in New York, said there would be ‘riots,’ ‘fire’ and ‘bloodshed’ if the controversial units, involved in the killings of Eric Garner, Sean Bell and Amadou Diallo, return to the city’s streets. 

“Sometimes, you question yourself. Why do you want to go outside looking? Street Cops was her 1981 book. It was recently reissued by the New Yorker. “What’s the point of riding in Harlem or South Bronx during the day?”  

Photographer Jill Freedman (1939-2019) stepped into the bedlam of New York City during its most turbulent decades - the 1970s and '80s - to document its firefighters, cops and people. For two years, she had unprecedented access to the NYPD and spent 'entire days touring the streets and entire nights drinking with the men and women of the NYPD,' according to press release for her book, Street Cops, which has been recently reprinted. Above, an image from her book in which police officers carry a man out of a building

Jill Freedman (1939-1999) was an American photographer who stepped into New York City’s darkest hours during the turbulent 1970s-80s to capture its firefighters, cops, and other people. For two years, she had unprecedented access to the NYPD and spent ‘entire days touring the streets and entire nights drinking with the men and women of the NYPD,’ according to press release for her book, Street Cops, which has been recently reprinted. Below is an illustration from her book, in which police officers take a man out of buildings.

During the late 1970s and early 1980s, Freedman was basically 'embedded' with two NYPD's precincts: Midtown South of Times Square and Penn Station, and the Ninth Precinct of the East Village. Crime soared during the 1970s due to a number of factors, including New York City's fiscal crisis. Financial woes for the city started in the 1960s and get worse in the next decades due to dwindling federal monies, a ballooning debt and people leaving the city for the suburbs. Above, a cop leads a man in handcuffs down the stairs

Freedman’s involvement with the NYPD in the 1970s and 1980s was fundamental. He was part of two precincts of the NYPD: Midtown South of Times Square (Penn Station) and the Ninth Precinct of the East Village. Due to several factors including New York City’s financial crisis, crime soared in the 1970s. In the 1960s, financial problems in New York City began. They got worse over time due to the shrinking federal monies and ballooning debt. People also moved out of the city. Above is a police officer leading a man with handcuffs up the stairs

Freedman didn't set out to be a photographer. She studied sociology and then traveled. In 1964, she moved to New York City and two years later, she picked up a camera. 'I'd never taken a picture and I woke up wanting a camera,' she said, according to her October 9, 2019 obituary in the New York Times. Above, two arrested men - one with a bloodied face - allowed Freedman to take their picture

Freedman wasn’t born to become a photographer. Freedman studied sociology before she went on to travel. She moved to New York City in 1964 and bought a camera two years later. According to her October 9th, 2019 New York Times obituary she wrote, “I hadn’t taken a photograph and I woke awake wanting one.” Above: Two arrested men, one with bloody faces. Freedman took their photo. 

The 1960s in the United States was a decade of upheaval propelled by social justice and counterculture movements, the war in Vietnam and music. It was also an era of loss. President John F. Kennedy was assassinated in 1963, his brother Robert F. Kennedy and civil rights leader Martin Luther King Jr. in 1968. Freedman first chronicled the Poor People's Campaign after King's death and those images were featured in Life Magazine and then in her first book, Old News: Resurrection City, which was published in 1971, according to the obituary. Above, two cops with their billy clubs

America’s 1960s saw a decade of turmoil, fueled by counterculture movements and social justice, war in Vietnam, and music. This was also a time of great loss. John F. Kennedy, the President of the United States was assassinated on 1963. Robert F. Kennedy in 1968 and Martin Luther King Jr. were civil rights leaders. According to the obituary, Freedman was the first person to report on the Poor People’s Campaign following King’s passing. These images appeared in Life Magazine, and later in Old News: Resurrection City. Above are two police officers with their billy club.

In the 1970s, New York City was dubbed 'Fear City' by NYPD union officials furious with with then Mayor Abraham Beame, who slashed the police force's due to a tremendous amount of debt and its fiscal crisis. They created a flyer with the ominous figure of death as its cover with dire warnings for tourists about the city and the subway. Above, a boy points a toy gun at another boy while a cop looks on

NYPD union leaders were furious at then Mayor Abraham Beame in 1970s New York City, and cut the force’s budget due to its massive debts and fiscal crisis. A flyer was created with the grim figure of death and dire warnings to tourists regarding the city’s subway system. Above: A boy points his toy gun at another boy, while a police officer looks on.

Above, police officers let boys hang out on their car. Today, the NYPD's community outreach includes events like National Night Out Against Crime - a block party that often includes food, music and booths. Precincts also have community councils in which people in the area can bring safety and quality-of-life concerns to detectives at meetings

Below, officers allowed boys to play in their cars. Today the NYPD is active in community outreach. This includes block parties like National Night Out Against Crime. These events often include food, entertainment, and booths. There are also community councils within each precinct where residents can voice safety concerns and other quality-of life issues to the detectives.

'After spending entire days touring the streets and entire nights drinking with the men and women of the NYPD, she started to see the heroism and compassion of the good cops. The ones nobody talked about, who were out there to help their city, seeing the best and the worst of humanity. The ones people loved and respected,' according to the book's press release. Freedman was able to capture the camaraderie among cops, seen above

“After spending days on the streets with NYPD officers and drinking all night, she began to appreciate the kindness and heroism of these cops. These were the cops that no one talked about. They went above and beyond to assist their community, seeing both the good and the bad. According to the press release, these were “the ones that people love and respect.” Freedman captured the camaraderie between cops. See it above

Freedman, who was born October 19, 1939 in Pittsburgh wasn’t originally meant to become a photographer. She studied sociology, and she traveled. She moved to New York City in 1964 and, two years later, bought a camera. 

According to the New York Times’ October 9, 2019, obituary, she stated that “I had never taken pictures and I woke awake wanting one.” 

The United States’ 1960s saw a decade of turmoil, fueled by music and anti-war movements as well as the Vietnam War and the social justice movement. This was also a time of great loss. In 1963, President John F. Kennedy was assassinated. His brother Robert F. Kennedy and Martin Luther King Jr. were also assassinated. 

Freedman first chronicled the Poor People’s Campaign after King’s death and those images were featured in Life Magazine and then in her first book, Old News: Resurrection City, which was published in 1971, according to the obituary. 

New York City almost went bankrupt during the 1970s. The debt forced Abraham Beame, then mayor of New York City to cut budgets for firefighters, the NYPD and other departments like sanitation. NYPD union furious that they handed out flyers calling Gotham “Fear City” and warning tourists to avoid the dangerous and graffiti-ridden subway. 

It was into this bedlam that Freedman photographed and ’embraced what she called the theater of the streets — “the weirder the better,” she said,’ according to the obituary.

After chronicling the Poor People's Campaign, she then spent years documenting the city's firefighters in Harlem and the South Bronx. Freedman often slept at the stations or in the chief's car, according to the Times obituary. Those photographs became part of her book, Firehouse, that was published in 1977. 'She had really macho guys like cops and firemen letting down a facade,' said Cheryl Dunn, a filmmaker and photographer. Freedman was one of the street photographers included for Dunn's 2013 documentary Everybody Street. Above, two cops seem to be lifting up a man

After chronicling the Poor People’s Campaign, she then spent years documenting the city’s firefighters in Harlem and the South Bronx. According to the Times, Freedman slept often at stations and in chief’s cars. These photographs were published in Firehouse, her 1977 book. Cheryl Dunn (a photographer and filmmaker) said that she had seen’macho men like firemen and cops letting down facades’. Freedman was one the street photographer included in Dunn’s 2013 documentary Everybody Street. Two cops appear to be holding a man up in the photo above

After her time with firefighters, Freedman then spent years with the NYPD. Most of her time was spent with cops at two precincts - Midtown South and the Ninth. Midtown South covers Times Square, which during the 1970s was a hotbed of sex workers, peep shows and pornography. Above, one cop seems to pull the white sweatshirt of a man on the street

Freedman spent many years in the NYPD after her stint with firefighters. Her time spent mostly with police officers in Midtown South or the Ninth Precinct was her most memorable. Midtown South is Times Square. This was Times Square in the 1970s, when it was an area renowned for its sex workers and peep-shows. The white sweatshirt that a man wears on the streets is worn by one of the cops in the photo above

Due to a staggering debt and fiscal crisis, the city cut services and chopped departments, like sanitation, and slashed the police force and firefighters' budgets. Many lost their job. The police union decided to pass out flyers at the airport to tourists that warned of the city's dangers. Above, a man who needs medical attention with his family and friends

The city was in deep debt, which led to fiscal crises. They cut services and departments like sanitation. Also, they reduced the budgets of the firefighters’ and police forces. Many were fired. Flyers warning of dangers in the area were distributed by the police union to all tourists at the airport. Above is an example of a man who requires medical attention.

'I put a lot of time into being invisible,' Freedman once said. 'When I was a kid, I always wished I had one of those rings or cloaks that made you invisible. Then I realized years later, I am invisible behind a camera. I am a camera.' Above, one police officer holds a woman by the arms while two others speak with a man with children

Freedman once stated that “I spent a lot time trying to be invisible.” “When I was young, I wished that I could have one of those rings and cloaks to make me invisible. Years later I discovered that I was invisible behind a camera. It is a camera. One officer is holding a woman’s arms, while the other two are speaking with a father with children.

Above, cops try to get a bloodied man into a squad car

Above: Cops attempt to put a wounded man in a squad car 

'For over two years, Jill Freedman joined two precincts of the NYPD as they responded to the violence and the unpredictability of the place, putting herself directly on the frontline like an invisible witness,' according to the press release for Street Cops, which was first published in 1981 and recently reprinted. Above, a boys cries while a woman speaks to one officer. The two cops detain a man

“For more than two years Jill Freedman joined the NYPD’s precincts in responding to violence and unpredictability. She placed herself directly on the frontline as an invisible witness,” according to Street Cops press release. This was published for the first time in 1981. The above photo shows a boy crying and a woman speaking to one officer. A man is held by the two officers

Her work combined activism with quietly bearing witness.  

“I spent a lot time trying to make myself invisible,” she said once. ‘When I was little, I dreamed of having one those rings or cloaks which made me invisible. Years later I discovered that I was invisible behind a camera. It is a camera.

Freedman began her second book and then focused her efforts on the firefighters of Harlem. Howard Cosell, an allegedly famous sportscaster once stated that “The Bronx was burning” while reporting on the 1977 World Series between New York Yankees and Los Angeles Dodgers. The South Bronx Yankee Stadium was hosting game two. The Yankees won the series.

According to the New York Post Cosell didn’t make that famous statement. The expression was used nonetheless to highlight the problems the city faced during that decade. Another well-known expression of that era is Ford to City, which was headlined in 1975 by the New York Daily News. Although President Gerald Ford did not say those words exactly, he refused federal assistance to the city during its fiscal crisis.

New York City’s fiscal woes began in the 1960s. However, they reached their peak in the 1970s due to shrinking federal funds and ballooning debt. People fled the city in droves for safer places. Some landlords decided to abandon buildings and pay high property taxes. It led to the Downtown art scene, which saw people living in squats or renting cheaply. 

According to the Post, the cuts were made to the FDNY, the Fire Department of City of New York. They began in 1971. 

Freedman, who spent more than two years documenting firefighters, often slept at station stations or in Chief’s car according to Times Obituary. These photographs were published in Firehouse, her 1977 book.

‘She had really macho guys like cops and firemen letting down a facade,’ said Cheryl Dunn,a filmmaker and photographer. Freedman was among the street photographers featured in Dunn’s 2013 documentary Everybody Street.

Freedman spent many years in the NYPD after her stint with firefighters. Her time spent mostly with police officers in Midtown South or the Ninth Precinct was her most memorable. Midtown South includes Times Square. It was once a hub for sex workers in 1970s. “The Ninth”The area includes East Houston Street, East 14 Street (Broadway), and the East River in Manhattan. It is the home of East Village and Tompkins Square Park. According to its website. In 1988, protestors clashed with police in what would became known as the Tompkins Square Park riot.

Freedman spent “entire days walking the streets” and “entire nights drinking with NYPD officers.” He was able to see the compassion and heroism of good cops. These were the cops that no one talked about. They went to their community and saw the good in everyone. According to the press release, these were “the ones that people loved and respect,”

Street Cops was first published by her. “They see everything; I saw it all.” 

The New Yorker noted that 'the spirit of Weegee haunts Jill Freedman’s photographs of New York street cops. Both worked in inky, matter-of-fact black and white. Both wanted to be at the scene of the crime while the blood was still wet. Both were unsentimental, tenacious, and tough. They didn’t look away, and they won’t let us ignore what they saw: New York at its rawest and scuzziest (the precinct walls are as ruined as tenement hallways).' Above, a cop points his finger at a man while another looks on

The New Yorker reported that Jill Freedman’s photos of New York’s street cops are haunted by the spirit of Weegee. They worked in black and white, which was inky but not too fanciful. Both of them wanted to be there at the scene, even though the blood was still tainting. Both of them were determined, hardworking, and tenacious. They looked straight at us, they didn’t blink and we won’t forget what they saw. New York is rawest and most vile (the precinct walls look as bad as the tenement hallways). Above: A cop points at a man, while another observes.

Arthur Fellig (1899-1868), who was known as Weegee, was born in what is now Ukraine and came to the United States with his family. A self-taught photographer, he first freelanced for newspapers but by the 1930s, he got permission to have a police radio in his car. His crime scene photography has became legendary. Freedman took images of police officers while they arrested people as well as when they engaged and helped the community. Above, an officer speaks with a woman while New Yorkers crowd around and watch

Arthur Fellig (1899-1868), also known as Weegee was born in Ukraine. He came with his family to America. Self-taught, he began his career as a freelance photographer. But, in the 1930s, he was allowed to transport a police radio with him. He is known for his crime scene photography. Freedman photographed police officers when they were arresting people and also captured them helping the community. Below, an officer talks with a woman as New Yorkers gather around to watch.

During the fiscal crisis of the 1970s, garbage was often left on the street due to a tightening of resources and personnel for the city's sanitation department. Above, a plainclothes cop subdues a man on a street littered with trash

Due to the tightening resources and staff of the sanitation department, trash was frequently left out on the streets during the financial crisis in the 1970s. Below, a plainclothes officer subdues an unruly man who was walking down a trash-laden street.

Two phrases continue to illustrate the financial dire straits that New York City was in during the 1970s: 'The Bronx is burning' and the 1975 New York Daily News headline - Ford to City: Drop Dead. President Gerald Ford never said those exact words, but he refused to give the city any federal help during its fiscal crisis. Above, a distressed man surrounded by a cop, New Yorkers and an EMT

Two phrases continue to illustrate the financial dire straits that New York City was in during the 1970s: ‘The Bronx is burning’ and the 1975 New York Daily News headline – Ford to City: Drop Dead. Although President Gerald Ford did not say those words exactly, he was unwilling to provide any federal assistance during the fiscal crisis. Above is a man in distress, with New Yorkers and an EMT.

New York City's fiscal problems started in the 1960s but came to a head in the 1970s with dwindling federal monies, a ballooning debt and people leaving the city for the suburbs. Instead of paying high property taxes, landlords abandoned buildings in some parts of the cities - giving rise to the Downtown art scene where people squatted or had cheap rent - but, also, in some cases, they burned their property for the insurance money. Above, two cops arrest a man

New York City’s financial problems began in 1960s. They reached a peak in 1970s when federal funds dried up, ballooned debt, and residents fled to the suburbs. Some landlords decided to abandon buildings in the city, rather than paying property taxes. It led to the Downtown art scene, which saw people living in squats or renting cheaply. Sometimes, the owners also burnt their properties for insurance. Two cops are seen above arresting a man

Above, a police officer relaxes for a moment with other cops during a shift

Above: A police officer takes a break with fellow officers during a shift

Freedman's 'images are raw and direct; unafraid to show the horror,' according to the book's press release. 'But she also captured the humor and tenderness of a situation. The vulnerability. Freedman approached photography with an anthropological interest and no judgment. She wanted to tell a story as she saw it and heard it. Street Cops is collection of stories about a city and its people on both sides of the law.' Above, a police officer speaks with a little girl at an event

The book’s press release states that Freedman’s “images are raw, direct and unafraid of showing the horror,” according to Freedman. “But, she captured the humor as well as tenderness in a situation. This is the vulnerability. Freedman approached photography without judgment and with an anthropological curiosity. Her goal was to capture the story she heard and saw. Street Cops is an assortment of stories about the city and people who live there. Above is a conversation between a police officer and a child at an event.

'Sometimes you wonder about yourself. What makes you go out looking?' Freedman wrote in Street Cops. 'What makes you go riding around Harlem or the South Bronx in the middle of the night?' Above, two cops scale a wall

“Sometimes, you question yourself. Is there something that makes you look for the truth? Street Cops was written by Freedman. “What’s the point of riding in Harlem or South Bronx during the day?” Above: Two police officers scale a wall