Throne out! Wicker chair purchased in UK junk store for simply £5… seems to be 120-year-old creation of Viennese artist and sells for £16,250 at public sale

  • The piece of furnishings was designed by Austrian painter Koloman Moser in 1902
  • A consumer bought the chair for simply £5 at junk store in Brighton, East Sussex
  • The120-year-old Viennese chair was praised for being in immaculate situation 
  • The chair has since been offered at Essex public sale to an Austrian seller for £16,250 










A picket chair which was bought at a junk sale for simply £5 has made its fortunate finder greater than £16,000.

The distinctive wicker chair is the product of an esteemed Viennese artwork college which dates again 120 years. 

The eagle-eyed shopper didn’t discover its uncommon design of the wicker chair till after she had carried it residence from the junk store in Brighton, East Sussex.

Pictured: A wooden chair picked up in a junk sale for just £5 made its lucky finder thousands of pounds at auction after it was discovered to be a piece of artwork created in Vienna in 1902

Pictured: A picket chair picked up in a junk sale for simply £5 made its fortunate finder 1000’s of kilos at public sale after it was found to be a chunk of paintings created in Vienna in 1902

Pictured: Artist Moser who designed art works, including books and graphic works from postage stamps, magazine vignettes, fashion, stained glass windows, porcelains and furniture

Pictured: Artist Moser who designed artwork works, together with books and graphic works from postage stamps, journal vignettes, vogue, stained glass home windows, porcelains and furnishings

Who was Viennese artist Koloman Moser? 

Born in Vienna in 1868, Koloman Moser designed a wide selection of artwork works, together with books and graphic works from postage stamps to journal vignettes, vogue, stained glass home windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furnishings.

Along with different Austrian creatives similar to Otto Wagner and Gustav Klimt, he resigned from the Affiliation of Austrian Artists in protest towards its help for extra conventional creative kinds in what was often known as the Viennese Secession. 

One in all Moser’s most distinguished designs utilized in a constructing – The Steinhof Church – was chosen as a predominant motif of one of the well-known euro collectors cash: the Austrian 100 euro Steinhof Church commemorative coin.

In 1903, Moser and his colleague Josef Hoffman based Wiener Werkstätte, whose studios and artisans produced various aesthetically and functionally designed family items, together with glassware, flatware, silverware, rugs and textiles.

In 1904, he created the Apse Mosaic and glass home windows for the Kirche am Steinhof in Vienna, and designed the ornament of the Medallion Home of the Linke Wienzeile Buildings for architect Otto Wagner.

Moser grew to become in poor health with throat most cancers in 1916 and died on 18 October 1918.

She obtained in contact with a valuer who was shocked to find that it dated from an early twentieth century avant-garde artwork college in Vienna, Austria.

The sought-after piece of furnishings was designed by esteemed Austrian painter Koloman Moser in 1902.

Moser was one of many foremost artists of the Vienna Secession motion, which rejected conventional creative kinds.

The chair was offered on the market at Sworders auctioneers of Stansted Mountfitchet, Essex. It was purchased by an Austrian seller on the phone for £16,250.

John Black, a specialist at Sworders who first valued the piece, mentioned: ‘We’re delighted with the sale value and are significantly happy to know it will likely be going again to Austria.

‘The vendor was additionally thrilled and I feel wanted to take a seat down upon being advised how a lot it offered for.’

Mr Black added: ‘The seller had completed some analysis however was uncertain if the attribution was appropriate, so I made a decision one of the best plan of action can be to talk to Dr Christian Witt-Dörring, a specialist on the Vienna Secession motion.

‘He confirmed the attribution and praised this instance for the dignity of its authentic situation.

‘The chair is a primary instance of the creative achievements of the Vienna Secession motion.

‘Designed in 1902 by Koloman Moser, a instructor on the Vienna Faculty of Utilized Arts, it’s a fashionable reinterpretation of a conventional 18th century ladder-back chair.

‘The lone ornamental component is the chequerboard-like grid of the webbing on the seat and the again of the chair.

‘The Vienna Faculty of Utilized Arts offered fashionable designs for the wickerwork manufacturing facility of Prag-Rudniker.

‘In 1903 the journal Das Interieur printed a complete sequence of recent designs, together with this chair, that was adopted in 1904 by a complete article dedicated to fashionable Austrian wicker furnishings within the influential UK publication The Studio.’

The elm and wicker chair turned out to be a rare artistic artefact, examples of which have previously sold for more than £16,000

The chair, which was in immaculate situation, dates again to 1902 when it was designed and created by Viennese artist Koloman Moser who was identified for creating an array of paintings

Pictured: The elm and wicker chair turned out to be a rare artistic artefact and sold for £16,250

Pictured: The elm and wicker chair turned out to be a uncommon creative artefact and offered for £16,250

Born in Vienna in 1868, Moser designed a wide selection of artwork works, together with books and graphic works from postage stamps to journal vignettes, vogue, stained glass home windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furnishings.

One in all Moser’s most distinguished designs utilized in a constructing – The Steinhof Church – was chosen as a predominant motif of one of the well-known euro collectors cash: the Austrian 100 euro Steinhof Church commemorative coin.

An armchair designed by Moser and Josef Hoffmann in 1903 is at the moment on show on the Metropolitan Museum of Artwork in New York.

In describing the piece, the museum says ‘the discount of type to the pure geometries of the dice, sq. […] gestures towards simplifying manufacturing whereas permitting for visible curiosity within the workmanship of the caning and the patterning between black and white, strong and void.’

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