Angelina Jolie’s daughter Shiloh wears revamped version of a Dior dress worn by her mom in 2019

Angelina Jolie’s daughter Shiloh Jolie–Pitt showed her respect for her mother’s style by modeling a modified version of one of her gowns.  

The 15-year-old looked lovely in a floral dress as she joined her famous family at the Eternals UK premiere at the BFI IMAX Waterloo in London.

Shiloh, whose father is Brad Pitt, put her own spin on the Dior dress that Angelina famously donned while promoting her 2019 film Maleficent: Mistress of Evil. 

Shiloh changed the length of the skirt to reach just above the knee, instead of keeping the original silhouette.

Seeing double: Angelina Jolie’s (seen right in 2019) daughter Shiloh Jolie-Pitt (left) took a page out of her older sister Zahara’s book by wearing one of their mother’s past gowns to the Eternals premiere at the BFI IMAX Waterloo in London

Shiloh seemed in good spirits when she supported Angelina (46), her siblings Zahara (16 and Vivienne (13) Maddox (20 and Knox (13)). 

This fashion moment is after Shiloh’s sister Zahara took a page from their mother’s book this month. 

On October 18, Zahara attended the Eternals LA premiere clad in the Elie Saab Couture dress that Angelina wore to the 2014 Oscars.

The famous family have been on the Eternals press tour for Angelina’s new superhero movie – where she plays Thena.

Designer dress: The 15-year-old, whose father is Brad Pitt , modeled a black-and-white print Dior dress that Angelina famously donned while promoting her 2019 film Maleficent: Mistress of Evil 

Stepping out: The superstar offspring, Brad Pitt’s father, could be seen smiling while she arrived at the event with her family

Shiloh recently decided to abandon her boyish style and wear dresses and a little makeup while accompanying Angelina to events.

Shiloh showed off her new style last week when she was joined by her mum at the LA premiere. She wore a pretty cream dress and her siblings to the event. 

She wore a black, full-length dress with a skirt and paired it with neon trainers in an animal print. Her hair was layered into an elegant chignon. 

Shiloh changed: Shiloh wore a black dress and neon trainers to the Rome premiere of the movie.  

Debut: Shiloh, who has been showing off her boyish style for years, debuted her new girly look at the film’s premiere in Los Angeles on October 18. 

Raiding her closet: On October 19, Zahara stepped out in the Elie Saab Couture dress that Angelina wore to the 2014 Oscars as she joined her famous mother and siblings at the Eternals Los Angeles premiere 

Last week’s style over haul and image comes one year after Shiloh’s father Brad was said be’so proud” of Shiloh when he celebrated the 14th birthday of the teenager.

Entertainment Tonight received this statement from a source: ‘Brad is proud of Shiloh, and who she has become. He loves her for being true to herself, and she is so good to her sisters and brothers.  

Angelina, however, spoke out about Shiloh’s androgynous style, saying that her daughter considered herself to belong to the ‘one of their brothers’.

Family affair: Shiloh aided her mother Angelina (46), who appears in the film alongside her siblings Zahara (16), Vivienne (12), Maddox (20), and Knox (13)

She told Vanity Fair that she wants to be a boy in 2011. “So we had to cut her hair. She likes boys’ clothes. She thinks she’s one the brothers.

She said, “Shiloh, We Feel, Has Montenegro Style” – apparently inventing a new fashion term. She dresses like a little dude. It’s how people dress there. She loves tracksuits. [regular]Suits  

In 2008, it was revealed that Shiloh requested that John be her first name since she was two years old.

Angelina looked stunning in her black satin dress with long flowing train.

Brad said to Oprah Winfrey, “She only wants John.” John or Peter. So it’s a Peter Pan thing. So we’ve got to call her John. “Shi, do you want…” “John. I’m John.” And then I’ll say, “John, would you like some orange juice?” And she says, “No!”

‘So, you know, it’s just that kind of stuff that’s cute to parents and it’s probably really obnoxious to other people.’  

Angelina stated that it was not necessary to interpret the request for a name change.

Changes: Shiloh looked trendy at the Rome Eternals premiere last week where she wore a black dress with a full skirt alongside neon trainers with an animal print

Evolving: Angelina stated to Vanity Fair 2011: “She wants to become a boy.” We had to cut her hair. She loves wearing boys’ clothes. She thinks she’s one the brothers (Shiloh pictured in 2014.)

In an interview with The Daily Mail, Angelina said: ‘I don’t think it’s for the world to interpret anything. She likes to dress as a boy, and her hair should be cut like a boy.

“Some children wear capes and want Superman. She wants to be like her brothers. It’s who she is. It’s been a surprise to us and it’s really interesting, but she’s so much more than that – she’s funny and sweet and pretty. But she does love a tie…’  

Eternals is a Marvel movie set in 2021 that is based on the fictional race called humanoids of the same names as the American comic books.

Suit up: Shiloh has worn an androgynous outfit to previous events (pictured 2018).

The flick shows the Eternals, an immortal alien race that has been hiding for thousands of year to protect Earth against their evil counterparts, Deviants.

The cast also includes MCU’s first superhero for the deaf (Lauren Ridloff, Makkari), and its first gay superhero (Brian Tyree Henry, Phastos), who shares the franchise’s first onscreen sexual encounter with Haaz Seliman, who plays his spouse.

In ELLE’s 2021 Women In Hollywood issue, Angelina – who is an advocate for refugees – discusses her upcoming movie and praises The Eternals’ director, Oscar-winner Chloé Zhao for her choice of casting.

She explained that actresses are often strong women or have one sister. It’s rare to have a family where you can get to know all the strengths and weaknesses of women. 

She continued to praise her co-stars: “Gemma has grace and elegance and the manner she walks through this world. Salma’s motherhood power and Salma Lauren’s intelligence and connection. Everyone came as they are.

“Maybe there’s some truth to that, that the characters weren’t as far off.” [from ourselves]. I think there’s something we don’t know about our director’s secret because, if you look at her films and see how she casts real people into their roles, it shapes her films.

Star: Shiloh with her father Brad and brothers Pax, Maddox in 2014

She tells the story that she believed the movie was going to be a grandmother-type role when she first heard about it.

“I didn’t know I would become one of the Eternals. It doesn’t happen. It’s never happened to my like that before without a fight, and I was like, “I can do it, please hire me!” I was shocked when she said I was one of them. Me, in my fifties I’m going as a Marvel superhero? She said that sometimes, as a woman of color and with age, you feel so overlooked.

She commended Zao for “having balls” and praised the director for recognizing her in the industry.

Ridloff, Makkari’s deaf character and the first superhero deaf in the Marvel universe is a revelation of her excitement at the chance to show representation’ onscreen in a refreshing’ manner. Chan praises Marvel for displaying diversity on a worldwide scale with its movies.

Oh dear: Eternals was criticized in its first reviews by critics. Angelina Jolie played Thena in the film.

Eternals was already criticized in its initial reviews as ‘disappointing and ‘ultimately forgettable’.

Critics criticized the superhero movie for its’miserably poor’ script, a flood of underdeveloped characters, and ‘overloaded storyline.  

Critics were split as the’refreshingly different’ cast of characters created a group ‘navelgazing superheroes’ that signalled “two steps forwards in representation, but three backwards in dramatic ingenuity.” 

The Times critic Kevin Maher gave the film two stars and took aim at the 157-minute flick’s script and its ‘strange self-sabotaging energy.’

Not good: The film was criticized for its’miserably inadequate’ script, a flood of underdeveloped characters, and ‘overloaded storyline. (pictured left, Don Lee playing Gilgamesh, Kumail Nnjiani playing Kingo, and Lauren Midloff portraying Makkari).

He wrote: “It is characters, however. They represent the greatest shift away form the swaggering. They are mostly white, usually male, mostly neurotypical, and mostly hearing ensembles. (think Iron Man. Captain America. Thor.

He added the’reinvented hero work’ and said: ‘But they also, to paraphrase Pirandello are ten characters in search for a script. Because the one they have now, co-written by Chloé Zhao, the director (Nomadland), is derivative, messy and miserably undernourished.

‘Eternals’ is two steps ahead for representation, but three steps backwards to show dramatic ingenuity. 

Variety critic Owen Gleiberman  branded the film a ‘disappointment’ over lacking the ‘raw and real’ signature quality Zhao has brought to her other films. 

He wrote, “Yet, as I approached Eternals. The question I was most curious about, was whether Zhao (who in Nomadland & The Rider defined her filmmaking technique in a unique poetic manner) would carry any remnants over to the blockbuster universe… Eternals does not have that. It’s obvious that this is a disappointment.

He said that the film felt’very conventional’ in comparison with ‘top-tier team superhero films’ (the first Guardians of the Galaxy and Zack Snyder’s Justice League) and that it ‘never transcends its conventions’. 

He did however praise the diversity of cast members, writing: “Four Eternals are white. Three are Asian. Two are Black. One is Latina. One is gay, one has hearing loss, and one is an androgynous teenage girl who never grows up. 

“Any troll who views this vibrant medley of temperaments and backgrounds only to complain that the movie’s too ‘woke’ might have had the same complaint about Star Trek 55-years ago.   

Robbie Collin, a Telegraph critic, gave Eternals another two stars. He wrote: ‘The problem with Eternals is that it’s always engaged in a type of grit-toothed authenticity theater, going out of it’s way to show you that it’s doing all of the things proper cinema does, even if none of them are of any discernible benefit to the film. 

“The muted tone of Marvel’s house style rules out Marvel’s flashy and flippant style. Instead, Eternals chooses solemnity mixed with wackiness, which sometimes gives it the feel a Japanese anime series.

Criticism: The Guardian critic Steve Rose scored the film two stars once again and likened it to a ‘sophisticated PowerPoint presentation’ due to its comprehensive mythological storyline

Empire critic John Nugent gave Eternals three stars, as it was ‘unable to escape the clichés of superhero storytelling’ but praised Zhao’s ‘assured and ambitious’ MCU debut.

He wrote:  ‘There’s a fascinating tension in Eternals between the unstoppable force of the Marvel project and the immovable object of Zhao’s artistic sensibilities. In many ways, this looks and feels nothing like any Chloé Zhao film we’ve seen before

“This film feels and looks nothing like any previous Marvel film. There are, for example, at least a couple of firsts: a genuine sex scene, and an onscreen gay kiss — unheard of in the normally rather chaste MCU. 

“More often, however, it seems that it falls into familiar traps about saving world and learning to work as a team; when a giant battle begins to stop another potential apocalypse you start to feel like someone is leaning on you.

Actors: Evening Standard critic Charlotte O’Sullivan praised the film and gave it an impressive four stars, heaping praise on the cast, bar Gemma Chan’s ‘wooden’ turn as Sersi (above with Kit Harington as Dane Whitman)